Il cast ai BAFTA CYMRU Awards. // The cast at BAFTA CYMRU Awards.

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  1. ƒëlïx ruvërïs
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    Il cast ai BAFTA CYMRU Awards. // The cast at BAFTA CYMRU Awards.

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    Edited by ƒëlïx ruvërïs - 27/10/2014, 12:30
     
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    Nuove foto e congratulazioni a Tom Riley per il premio di Miglior Attore! // New pictures and congrats to Tom Riley for the Best Actor award!

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    (via tom-riley.com)

    CITAZIONE
    Tom Riley took best actor for his Da Vinci's Demons lead role

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    Edited by ƒëlïx ruvërïs - 27/10/2014, 13:16
     
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    Video dal red-carpet. // Red-carpet video.
     
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    Intervista per BAFTA GURU. // Tom's BAFTA GURU interview.

    CITAZIONE
    “My career’s been really odd. I have a weird psychological block that I can never remember the first two lines, no matter how hard I drill them in. It’s a disease, I can’t stop doing it.

    The first audition I ever had was for something at the Royal Court called The Woman Before. I was still at drama school and I assumed I wouldn’t get it. I didn’t. But a month later I got a phone call two days before the show opened saying the guy who was going to play the part had dropped out and could I come in and do it.

    With Da Vinci’s Demons, my American agents had sent the script, but I didn’t get to go in on it. I forgot all about it, but then I got a call from a casting director while I was shooting Monroe in Leeds saying they hadn’t been able to find a Leonardo and could I come down to London the next day and meet the creator David S. Goyer. I was so unprepared, but it kind of took the pressure off. There were 10 people on the list [for the role] and I looked at the list and thought, ‘well, I’m not getting this!’

    I went in and did it and felt something shift in the room. David kept giving me different versions of the scenes to do. I walked to Hammersmith station and before I got on the Tube my phone was ringing and it was my agent saying, ‘I don’t know what you just did in that room but they’ve called and said would you go to America immediately.’ I didn’t even have to audition for Starz (the channel), I just had to chat through what I thought about the character in a big, plush Los Angeles office.

    It’s changed my life in America. It’s led to lovely things being offered, rather than going through the rigmarole of auditioning. Before, I was going to the US and having to wait outside to meet a casting director’s assistant to see if I could meet a casting director. It was like starting again. That was always the case until Da Vinci came along.

    [Being the star of a show involves] all the stuff they don’t teach you at drama school. You learn from other people who are exceptionally good at it. In the case of James Nesbitt, when I left Monroe to go and work on Da Vinci, I wrote him a card saying, ‘thank you for teaching me how a number one on the call sheet should behave.’

    We shoot in Swansea. First we thought it would be Italy because it’s set there and there’s so much external stuff. But this way, I can come home at the weekends, which, when you’re doing something for three years makes all the difference. The first season it rained all the time. We were having to throw in terrible improv lines like, ‘oh, what unseasonable weather, my lord’, just to get through the fact we were in a torrential downpour. But this year it’s been quite sunny. It does get tough towards the end. We’re shooting right up until the end of December and we’ll still be in the same costumes. At the end of the season, it’s so cold you can see the cast’s breath.

    I had a few ideas [about the show] and then Starz and BBC Worldwide came and asked if I’d like a co-producer credit. Now I’m a producer which means I give notes on the edit and notes on the script. And this season that’s also meant discussing story arcs and stuff, I’ve been talking about directing next year if we do another season. It’s lovely to have that say.

    I think [Kill Your Friends] is going to be quite good. We panicked about the tone. Everyone in the film is a douchebag – myself included. It felt good on the set, but you never know until you see it. I remember me, Craig Roberts and Nicholas Hoult couldn’t get through scenes together, we were shaking with laughter. When you’re on a low-budget film and time is of the essence you know you mustn’t laugh anymore because you’re running out of time but that just makes it worse.

    I saw Nick in New York recently and he really seems positive about it. Which is nice – because you never know.”

    Da Vinci’s Demons is on Fox UK.



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    Nuova foto. // New picture.

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    Nuova foto. // New picture.

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    Ancora foto. // More pictures.

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    Un messaggio da Tom. // A message from Tom.
     
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    Nuovi video e foto dal red carpet. // New videos from the event and red carpet pictures.





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    Nuova intervista. // New interview (via tom-riley.com).

     
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8 replies since 26/10/2014, 21:43   113 views
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